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ART WORK 2007 - 2018
'2007' (glass framed, acrylic on paper glued to MDF board), 71cm by 67cm high
'Ko te manu, 2011' (boxed rimu plywood, acrylic & gloss), ...cm by ...cm high
Nurture. Support. Educate.
'Abstract colour study, 2012' (framed, acrylic & gloss on MDF board), 60cm by 77cm high
2 faces nearly pressing noses.
'Runga, Raro, 2012' (boxed MDF board, acrylic & gloss), 49cm by 57cm high
Runga and raro represent highs and lows in life, making the journey rough and messy at times. The embracing position of the arms emphasise the need to support (tautoko).
'Colour and design study, 2012' (boxed MDF board, acrylic), approx. 40cm by 40cm high
Private collection.
'Colour and design study, 2009' (pine boxed MDF board, acrylic), 57cm by 54cm high
'Manaia, 2012' (boxed MDF board, acrylic & gloss), 69cm by 88cm high
Māori culture & western life. Kiwi bird figures with Manaia.
'Colour and design studies, 2012' (canvas's, acrylic), approx. 20cm by 20cm high
Private collection.
'Putiputi kanehana e, 2012' (boxed MDF board, acrylic), ...cm by ...cm high
Private collection.
'Kōtuitui (Interlink), 2015' (boxed MDF board, acrylic & gloss), 92cm by 51cm high
'Te kihini, 2015' (boxed MDF board, acrylic & gloss), 78cm by 43cm high
Private collection.
Mana koru, 2015' (acrylic & gloss on 6x canvas's), each canvas is 24cm wide by 33cm high
Colour and design study. The koru design is well known for its use to represent growth more so about young growth. The use of the word mana is to encourage individuals, in particular rangatahi, to keep it in mind throughout their life journey. For sale. Some digital framed prints will be available.
'TPP - what fb knows, 2015 - series 1/2 & 2/2' (acrylic & gloss on recycled wood vaneer board), 83cm wide by 71cm high (1/2) and 83cm wide by 71cm high (2/2)
Basically these works have a few relative words and abbreviations representing some countries and continants involved in the TPP thing.
'Tāwāhi, 2014' (acrylic & gloss on canvas), approx. 55cm by 100cm high
Private collection.
'Mana - iwi, 2013' (boxed MDF board, acrylic & gloss), ...cm by ...cm high
The many staggered koru represent a life journey. Private collection.
'Papa-tū-ā-nuku, 2011' (boxed rimu plywood, acrylic & gloss), ...cm by ...cm high
The first of three others in a series contemplating the importance of taking care of the earth and nature. Private collection.
'Hauhake, 2013' (print, framed), 75cm wide by 90cm high
Inspired by a passion for growing vegetables. Could be interpreted as the harvest time of Matariki.
'Mana, 2015' (acrylic on 2x MDF boxed boards), 45cm by 95cm high and 47cm by 102cm high
Part 2 of a series. The scale like patterning represents nature moving together as one in the same direction. Symbolising the potential of working together inevitiably to reach the same goal. Private Collection. KJW
'Etched life of an island lady, Mar 2016' (Etched glass in wood frame), 44cm by 40cm high
I wanted to tell a story about a person leaving their traditions and way of life in their home area, to start a new life in a more modern progressive place like NZ. Private collection.
'Food, wine and company, Part 2, September 2016' (Acrylic on canvas frame), 105cm by 105cm high
Like many cultures, food has a special place for socialising. Having a complimenting wine to hit the spot while tucking into your meal is truly taste evoking. Collection of the artist.
Colour and design study, 2018' (canvas on frame, acrylic & gloss), 76cm by 76cm
A study. See 2019 work for finished re-worked painting.
Food, Wine & Company - Guitar, 2017' (Framed canvas, acrylic & gloss), 62cm by 52cm high
This is an action view and generalisation of what could go on when food and wine is involved. There is a little bit of drama going on between 2 characters with a third listening in, and the figure in the wheel chair is reaching for the guitar. This is a much smaller work to the two F, W & Company paintings I did back in 2016. Sold through Kura Gallery. TY
Food, Wine & Company - 2 Rooms, May 2017' (Recycled frame, hessian on board, acrylic, pen & gloss mediums), 43cm by 69cm high
Another perspective painting about the dynamics of sharing food together. I decided to utilise the space of this recycled frame (made in the USA) by painting two separate rooms in another perspective style. One lounge and one dining. I leave it up to the viewer to decide what this painting means to them. Personally it signifies the experience and importance of eating and drinking to relationships between family and friends over the years. I’m sure many could relate to this work. Sold. TY.
'Mana - abstract idea, 2015' (acrylic on MDF boxed board), 69cm by 64cm high
The scale like patterning represents nature moving together as one in the same direction. Symbolising the potential of working together to reach the same goal. Collection of the artist. PRINTS AVAILABLE.
'Papatuanuku grounded 3x, 2013' (acrylic & gloss on canvas glued to MDF board & framed), 118cm by 108cm high
Darling old Papa. To reinforce the message that earth is precious and not to be taken for granted.
'Manu bird, 2013' (boxed MDF board, acrylic & gloss), 51cm by 64cm high
Above is where I am...is what I know. If I leave where do I go?
Inspired by a need for change and feeling apprehensive about making a change.
'Weapon people, 2014' (boxed MDF board, acrylic & gloss), 120cm by 110cm high
The dynamics of different personalities and behaviours coming together for a discussion but instead it turning into pointless arguing. Private collection.
'Papa-tū-ā-nuku, 2015' (boxed MDF board, acrylic & gloss), 54cm by 90cm high
One of three others in a series contemplating the importance of taking care of the earth and nature. Collection of the artist.
'Abstract feeling, 2015' (acrylic & gloss on canvas material - not framed), 77cm by 92cm high
Inspired by mental health awareness, suicide and anxiety. The wording Honey is hope. The scale pattern means the current push by communities and by health enthusiasts to bring these serious health issues to the table - so to speak.
'Food, wine and company, Part 1, May 2016' (Acrylic on canvas frame), 103cm by 89cm high
Dining at restaurants in Europe...a fond memory. Collection of the artist.
Pink - 'Donkey', March, 2017' (canvas on frame, acrylic & gloss), 64cm by 98cm
Based on above and below (high & low), and it's connection to the mind (mental health) and body (physical health). The 4 whare depict the meaning of balance in the 'natural' world while some of us struggle to accept the fast-paced chaos of the all encompassing 'nurturing'...material world. The 2 donkey's show a human side while un-naturally on boxes. The donkey in the back ground has no-where to go and the donkey in the foreground is going somewhere. Sold. TY
Food, Wine & Company - Kitchen, June 2017' (Canvas on frame, acrylic, pen & satin gloss medium), 80cm by 60cm high
It looks like some singing is going on in the kitchen while food is cooking! This work was enjoyable to paint. It has an active vibe. It represents whanau. There is a sense of love, comfort and of health. On display, for sale at Kura Gallery, Wellington. Sold. TY.
Food, Wine & Company - Whā, August 2017' (Canvas on frame, acrylic, ink & satin gloss medium), 50cm by 60cm high
Kai-mahi placing and arranging food on the table. There's a white stylized figure in the doorway. The background of the doorway represents the unknown. On display, for sale at Kura Gallery, Auckland. Sold. TY.
Weapon people - 'Biker' & 'Walker', November 2017, DIPTYCH (Canvas on frame, acrylic & medium), 38cm by 76cm x 2
Fun work to paint . This is a casual action view. Has a sense of bravery and encouragement for the biker and the walker. The mammoth block walls represent what you might perceive to be too large to confront.
Weapon people - 'Ake-ake', January 2018 (Canvas on frame, acrylic), 46cm by 60cm
Discussions + observations = exploring.
Tree was drawn from a photo my sister captured while working on the beautiful, picturesque Chatham Islands.
Exhibited at the Sarjeant Gallery (Whanganui) Arts Review 2018.
Food, Wine & Company - 'Ko te kai o te Rangatira', March, 2018 (Canvas on frame, acrylic & pen), 51cm by 61cm
A stark scene. The wheel chair represents disabilities, highlighting the need for the inclusion of all manners of people and abilities. The food of the chief is korero/communicating.
*Wrapped and put away 21/2/24
Weapon People - 'Land Sea & Sky', July, 2018 (Canvas on frame, acrylic paint), 91cm by 91cm
Had another turn repainting this one, see July 2019.
Food, Wine & Company - 'Part 3', August, 2018 (Canvas on frame, acrylic paint, ink), 91cm by 61cm
A divided room. Social scenarios. Center perspective. Individuals, family & friends. Collection of the artist.
*Wrapped and put away 21/2/24
Weapon People - 'Driver', October, 2018 (Canvas on frame, acrylic paint), 60cm by 45cm
Inspired by NZ’s unique coastal roads. The side mirror reflects what can be or could have been. Calm Ocean. Exhibited at the Sarjeant Gallery (Whanganui) Arts Review 2019.
Food, Wine & Company - Pointers, April 2017' (Recycled canvas, acrylic, pen & pencil & gloss), 50cm by 50cm high
This painting seeks to imbue a feeling of stress in the viewer which is an emotion that can develop when sharing food and alcohol together. It depends on the behaviour of the people involved. Sold. TY.
Food, Wine & Company - Aue... Te Aroha..., May 2017' (Canvas on frame, acrylic, pen & satin gloss medium), 40cm by 50cm high
Inspired by music and singing, and entertaining guests while they enjoy their meal. Kai-mahi are the people usually working behind the scene at a marae, organisation, hui/gathering etc. Ringa-wera (literally meaning ‘hot hands’) is a term describing kitchen workers and kai-mahi. Sold. TY.
Political People - Guardian Selfie, August 2017' (Canvas on frame, acrylic, ink & satin gloss medium), 37.5cm by 75cm high
Tangata māori have little representation on decision making in government in NZ. In NZ; majority cultures seem to out-number minority cultures for voting for political parties. In this work there is a majority of white caped figures and a minority of green stylized figures. For me, this work identify's the value of a 'ratio' and it has prompted a question for me. What, if any, is the significance of the use of 'ratio' in the 'Māori world' (Te Ao Māori) and how can it be used to get more fairness in governing NZ, for example; through equal representation or something like that? The fun side to this work is a guardian figure taking a selfie while supporting the white stylized figure.
Living Things, Lines & Curves - 'Runga, Raro, 96', August 2018, (Canvas on frame, acrylic, & medium), 70cm by 70cm
Based on highs and lows / runga (above) & raro (below) and the connection to mental and physical health. The grey on pink central design captures the flow of the various levels of being and it’s changes.
Weapon people - 'Social youth', December 2017 (Canvas on frame, acrylic), 45cm by 60cm
The various figures in this painting represent some of the types of social interactions or non-interactions among youth in today’s ever changing environment. This work could depict separation among youth of today. Currently on display, for sale at Kura Gallery.
Food, Wine & Company - 'Patu or Kotiate', February 2018 (Canvas on frame, acrylic & pen), 46cm by 91cm
The importance of food to culture. Challenging the observer. The background of the doorway represents the unknown. What might this picture represent to you? Private Collection V & G
Weapon People - 'O', July, 2018 (Canvas on frame, acrylic paint), 76cm by 76cm
O. The patterned figures moving in both directions symbolise challenges or confusion and struggles that some people are faced with everyday. Faith, Trust, Culture, Identity, Belief etc.
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Living Things, Lines & Curves - 'Part 1', September, 2018 (Canvas on frame, acrylic paint), 120cm by 120cm
Runga (above), Raro (below), the pipe or cord shape connecting the two. Living things depicting a celebration of life.